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A DOOR OPEN TO THE SEA, play by Viviana Marcela Iriart, available for sale on Amazon

 







 

Play. Argentina, early 1990s. Sandra and Dunia, childhood friends who were detained and disappeared by the dictatorship in a concentration camp for being pacifists, reunite after Sandra's years in exile.

The emotional reunion gives way to the shocking realization of how the dictatorship managed to separate them and create two communities: one for those who stayed and one for those condemned to exile.

Suddenly, an abyss opens before their eyes, leaving them on opposite shores.

Can they build a bridge to unite them?

 

Dr. Susana D. Castillo, University of San Diego, United States:

“…...the play explores the uprooting of its two characters on different levels. On one level, the play deals with the anxious reunion of two women separated for ten years…

Aptly, the initial encounter is choreographed as a slow dance in which the two women try to find each other—as if in a mist—while simultaneously suppressing the outward expression of their conflicting emotions… Thus, they will move—with caution and restraint—from reminiscence to laughter, from song to nostalgia, from distance…to the tango!...

(...) It is worth adding that Viviana Marcela Iriart—novelist and journalist—sought refuge in the Venezuelan Embassy at the age of 21, a period that marked the beginning of her exile, which would take her to various parts of the world before she settled in Venezuela…”





Available for sale on Amazon


 


Viviana Marcela Iriart (1958) is an Argentine-Venezuelan writer, playwright, and interviewer.


She has published 
"La Casa Lila" ( novel), "Interviews" (interviews with cultural figures, in English), and "¡Bravo, Carlos Giménez!" (biography). She compiled the free-to-read book "María Teresa Castillo-Carlos Giménez-Festival Internacional de Teatro de Caracas 1973-1992", a collaborative work with José Pulido, Rolando Peña, Karla Gómez, Carmen Carmona, and Roland Streuli.


"A DOOR OPEN TO THE SEA", as well as her forthcoming novel "Lejos de Casa", is based on her experiences with the Argentine dictatorship and exile.

ABOUT TO TAKE OFF... excerpt from the book "How to endure life with HUMOR", Confidences of an actor, by Jairo Carthy

 



ABOUT TO TAKE OFF...

During the filming of the first movie in which I had the pleasure of participating, I experienced a very, very improbable episode, but I assure you it is true.

We were filming on the outskirts of Maracaibo, it was a Wednesday, and I was performing in a play in Caracas, which was the final week of the season. The clauses in my contract stated that I could film until noon that day, as I had to fly to Caracas to do the performance that night, and starting the following Monday, they could use my time as they saw fit since I would no longer have theater performances.

Up to that point, everything was going very well. The detail was that it was almost 3 PM, the last flight to Caracas left at 4, and we were on the outskirts of the capital. To top it off, the scene we were filming was none other than the death of my character, a terrible hitman, who, to the delight of the cinema audience, would be killed with many shots and there would be a lot of blood. Well, in reality, blood flowed throughout the movie since they killed the entire cast; it was not for nothing that it was called "The Slaughter of Santa Bárbara."

Well, a Spanish special effects makeup artist was in charge of my terrible appearance. Among all the things he did to me, he carefully introduced a product similar to gel into my scalp. It was more like a black gum that would melt with heat and give a very natural blood-like appearance that would run down my temples, my eyes, my neck, etc. Finally, we filmed the scene. The assistants were ready with towels, water, and my clothes to remove and clean any trace of my character. There, in the middle of the street and as quickly as I could, I took off my makeup and hopped into a taxi heading to "La Chinita" airport to catch my flight back to Caracas.

We were going over 120 km on those roads; it seemed like we would never arrive. I felt like Cinderella rushing home before the clock struck twelve and the magic was gone.

Finally, we arrived. I jumped out of the taxi and headed to the airline counter, where I encountered an employee who looked terrified and informed me that the flight was about to take off.

I wondered: what’s wrong with this guy? I wanted to die; I had to catch that flight no matter what! I asked him which way to the runway, and he pointed to some ramps. I looked like a figure skater flying down those ramps, and at the end, I encountered some national guards who obviously stopped me and looked at me in horror. I said to them:

·        Excuse me, but I have to catch that flight; it’s a matter of life or death... The guard looked at his partner, who nodded, and he communicated with the control tower via radio to stop the plane. Again, they both looked at me almost with pity. I thought: everyone here is crazy. The official said: Run! Run, the plane is waiting for you!

I don’t know if you know that those small planes have a rear entrance or exit, yes, like from the back of the plane. As I was running, I saw a door opening, but no stairs came down. When I arrived and looked up, the terrified flight attendant told me:

·        Get on, get on... and I wondered: How the heck? Finally, a small ladder of about two steps came down, and it was still very high. Like a primate, I climbed up the steps and sat in a random seat. The flight attendant told me: - Don’t move; we are about to take off. Of course, all the passengers' eyes were on me, and I thought, why are they looking at me in horror? Finally, the plane took off, and the flight attendant kindly asked me:

·        Would you like something, a sedative? You look very pale, and I replied:

·        Well, water or something to drink, if you don’t mind.

They assigned me my seat, and the guy sitting next to me almost yelled and said:

·        Sir, what happened to you, for God’s sake!!! I didn’t understand anything. But when I went to wipe the sweat off my face, what I wiped was "blood." The famous product did its job, and of course, they hadn’t removed everything they had put on my scalp, so it did its function. I was bleeding quite naturally.

The incredible thing about this story, which I have always wondered, is how they let a person who was supposedly injured get on a plane? They never asked me my name, nor did they ask for my ticket... nothing. The important thing is that I was able to arrive in time for my performance... Oh! And that scene that took so much effort was useless. We repeated it a few weeks later in Calabozo, and with all the calm and tranquility, I enjoyed the death of my character.

By the way, the guy who traveled next to me… yes, the one who yelled, was none other than Amílcar Boscán, the soloist of the well-known group "Guaco."

 


On Amazon


Book "I HAVE DREAMED OF YOU SO MUCH FREEDOM" by Beatriz Iriart, poems dedicated to the victims of the Shoá (bilingual edition English- Spanish), on Amazon

 




WANTING


        To the survivors of the Holocaust

I have dreamed of you so much
in these days
of stew and bread.
I have dreamed of you so much
with the frost and the famine
with the chains lacerating the ankles
with the terror
installed in the hut.
I have dreamed of you so much
FREEDOM.


“Dear Beatriz, your texts are very touching and truly poetic about a subject which is not easy to write about. And it is not only a Jewish pain but also a human tragedy.” 
Eliahu Toker, argentine poet, Buenos Aires, 2001.

"Your poetic work, your examination of these ghostly mistakes of humanity, commits us to be alert to the personal and collective processes through which we wander clumsily”. 
Dr. Susana D. Castillo, american professor and researcher, San Diego State University, California, 2009.


Beatriz Iriart is an Argentine poet. She is a member of the Society of Latin American Writers of California and International Chapter on the Internet (SELC and CII) in the United States.
In 2015 Venezuelan composer 
Diana Arismendi wrote her work “In memoriam”, to commemorate the Holocaust, and the second movement was inspired in I was in Auschwitz… The concert was organized by Espacio Anna Frank from Caracas with the participation of Venezuela’s Symphony Orchestra directed by master Alfredo Rugeles.
From 2015 to 2025, her poems dedicated to the victims of the Holocaust have been read on radio programs, at commemorative events, and published in magazines in Europe and America.
In 2023 in Spain, the 
Amlega Association read their poem “Numbers” during the Pink Holocaust events at various universities across the country.


I have dreamed of you so much FREEDOM de Beatriz Iriart, cover by Claudia Patricia Lopez Osornio and graphic design  by Jairo Carthy,  in  AMAZON:

                                         I have dreamed of you so much FREEDOM 



Artista plástica argentina Claudia Patricia Lopez Osornio publica libro con sus obras: “SI…IF”, en edición bilingüe español-inglés, con diseño de Jairo Carthy, de venta en Amazon

 


Interfaz de usuario gráfica

El contenido generado por IA puede ser incorrecto.

 

 


El director teatral y coleccionista de arte venezolano Rodolfo Molina dice en el prólogo de este libro: “Hay un trasfondo de sensaciones líquidas a la distancia que abruma la visión… En esas imágenes borrosas hay, también, todo lo que quieras ver”.

 

Y la poeta argentina y coleccionista de arte Beatriz Iriart opina: “…obras en las cuales percibimos destellos y umbrías de un pasado reciente y un presente onírico. Le agradecemos su legado que nos permite saltar dos trazos de Rayuela y llegar al  Cielo”.

 

Claudia Patricia Lopez Osornio estudió escenografía en la Escuela de Teatro de La Plata y pintura con las artistas Mirta Rosetti y Cristina Manganiello Ha realizado exposiciones individuales y colectivas en Argentina, Canadá y Venezuela, país en donde también dictó talleres de iluminación para títeres en Caracas y el interior del país invitada por el prestigioso titiritero Eduardo Di Mauro.

 

Claudia Patricia Lopez Osornio es miembro de Amigos del Macla (Museo de Arte Contemporáneo Latinoamericano de La Plata),  lugar en donde próximamente se bautizará el libro y estará a la venta. 


El diseño de "SI....IF" es del artista y diseñador gráfico Jairo Carthy y es una obra de arte más que enriquece visualmente el trabajo de la artista plástica. Es la comunión de dos grandes talentos que da como resultado un libro de colección.


Publicado por Escritoras Unidas & Cía. Editoras en versión bilingüe español-inglés, está a la venta  en Amazon



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El contenido generado por IA puede ser incorrecto.





Book "SI...IF" by Claudia Patricia López Osornio, contemporary latin american art, graphic design by Jairo Carthy, for sale on Amazon

 


 



Venezuelan theater director and art collector Rodolfo Molina says in the prologue to this book: “There is an undercurrent of liquid sensations in the distance that overwhelms the vision… In those blurred images, there is also everything you want to see.”


And Argentine poet and art collector Beatriz Iriart opines: “…works in which we perceive glimpses and shadows of a recent past and a dreamlike present. We are grateful for her legacy, which allows us to jump two Hopscotch lines and reach Heaven.”


Claudia Patricia Lopez Osornio studied set design at the La Plata Theater School and painting with artists Mirta Rosetti and Cristina Manganiello. She has held solo and group exhibitions in Argentina, Canada, and Venezuela, where she also taught puppet lighting workshops in Caracas and other parts of the country, invited by the prestigious puppeteer Eduardo Di Mauro.


Claudia Patricia Lopez Osornio is a member of Friends of Macla (Museum of Contemporary Latin American Art of La Plata), where the book will soon be christened and available for sale.


The design for "SI...IF" is by artist and graphic designer Jairo Carthy and is a further work of art that visually enriches the artist's work. It is the union of two great talents that results in a collector's book. 

For sale on Amazon.






The prestigious Argentine poet Beatriz Iriart pays tribute to Susy Dembo in her new book "Te he soñado tanto LIBERTAD/I have dreamed of you so much FREEDOM", may 2025

 




RHAPSODY OF THE SOUTH

 

 

In memory of Susy Dembo,

Holocaust survivor

 

 

 

With the wandering dragonfly's gait

you bequeathed us the verb, the color and the life

in your twilight warp

of sand

with yielded footprints

surrendered winds

drizzle.

Today we are

reeds and links

messengers and enigmas

and hazy hourglasses

of undoubted

POETRY.

 

©Beatriz Iriart

 


“Dear Beatriz, your texts are very touching and truly poetic about a subject which is not easy to write about. And it is not only a Jewish pain but also a human tragedy.” Eliahu Toker, argentine poet, Buenos Aires, 2001.

"Your poetic work, your examination of these ghostly mistakes of humanity, commits us to be alert to the personal and collective processes through which we wander clumsily”. 
Dr. Susana D. Castillo, american professor and researcher, San Diego State University, California, 2009.


Beatriz Iriart is an Argentine poet. She is a member of the Society of Latin American Writers of California and International Chapter on the Internet (SELC and CII) in the United States.
In 2015 Venezuelan composer 
Diana Arismendi wrote her work “In memoriam”, to commemorate the Holocaust, and the second movement was inspired in I was in Auschwitz… The concert was organized by Espacio Anna Frank from Caracas with the participation of Venezuela’s Symphony Orchestra directed by master Alfredo Rugeles.
From 2015 to 2025, her poems dedicated to the victims of the Holocaust have been read on radio programs, at commemorative events, and published in magazines in Europe and America.
In 2023 in Spain, the 
Amlega Association read their poem “Numbers” during the Pink Holocaust events at various universities across the country.

I have dreamed of you so much FREEDOM de Beatriz Iriart, cover by Claudia Patricia Lopez Osornio and graphic design  by Jairo Carthy,  in  AMAZON:

                                         I have dreamed of you so much FREEDOM 




INTERVIEWS, the new book by Viviana Marcela Iriart in Amazon (may 2025)

 



Julio Cortázar, writer: "A day in my life is always a beautiful thing, because I am very happy to be alive"

Esther Dita Kohn de Cohen, founder of the Anna Frank Space: (in the Holocaust, the family) "there were more or less about 500 people; we don't know exactly how many were killed, that was terrible”

Julio Emilio Moliné, co-director “Joan​ Baez in Latin America: There but for fortune” (clandestine documentary, 1981): “Joan received death threats, and was banned, persecuted…”

Elisa Lerner, writer: “Solitude is the writer's homeland”

Susy Dembo, visual artist: "Engraving is alchemical, it is magical"

Nava Semel, writer:  And the Rat​ Laughed with Jane Fonda

José Pulido, poet: “I'm like a castaway clinging to his tongue”

Rolando Peña, visual artist: "We baptized the group in a bathtub, and the godfather was Andy Warhol"

Carlos Giménez, theater director: “Our country is the empire of consummated facts, of de facto culture”

Beatriz Iriart, poet: “By when I was 10, I was an old woman already. Writing poetry was a way of transmuting that pain”

Dinapiera Di Donato, poet: "Imagination creates versions of life, but I cannot understand life without a version."

María Lamadrid, founder of "África Vive": “We are the first disappeared people in Argentina”

Mariana Rondón, filmmaker: "During my childhood, I thought cinema was only​ one movie: Yellow Submarine"

Roland Streuli, photographer: “My life is color, I am not an opaque or black and white person”


Viviana Marcela Iriart (1958) is an Argentine-Venezuelan writer and interviewer. She studied journalism for a year in La Plata, Argentina, but for being a pacifist, she was exiled by the Argentine dictatorship in 1979. Venezuela granted her asylum, and four months later, at the age of 21, she wrote her first professional report... on Julio Cortázar, an interview included in this book.

She has published novels, plays, and three books on Carlos Giménez: ¡Bravo Carlos Giménez!, Carlos Giménez el genio irreverente, and María Teresa Castillo-Carlos Giménez-Caracas International Theater Festival 1973-1992.

She is the founder of the publishing house Escritoras Unidas & Cía. Editoras and the cultural blog of the same name.

INTERVIEWS, with graphic design by Jairo Carthy, is available on  AMAZON in paperback and ebook versions: https://www.amazon.com/dp/B0F8RDDP2X