la rebelión consiste en mirar una rosa

hasta pulverizarse los ojos


Alejandra Pizarnik








“Y estamos marchando todavía en las calles

Con pequeñas victorias y grandes fracasos

Pero hay alegría y hay esperanza

Y hay un lugar para ti”

Joan Báez





"Talking to Carlos Gimenez, Creator of the Rajatabla in Caracas" by Glenn Loney,New Theatre Quarterly, Cambridge University Press, August 1986












Research Article


Abstract



Knowledge of the theatre of South America tends to be shamefully scanty in the English-speaking world: yet the forces of rapid political change, both revolutionary and repressive, often provoke innovative theatrical responses. NTQ intends to pursue the study of theatre in this huge continent. The following interview was conducted by Glenn Loney with the young director Carlos Gimenez – a refugee from Argentina presently working with his Rajatabla troupe in Caracas, Venezuela – whose production of Bolivar was brought to the Public Theatre in New York last summer, with a return visit planned to include The Death of Garcia Lorca, both discussed in the following conversation. Glenn Loney is a widely published American drama critic, teacher, and writer, presently teaching on the doctoral theatre programme of the City University of New York, and working on the American volume in the Documents of Theatre History series for publication by Cambridge University Press.


Glenn Loney (1986).
Talking to Carlos Gimenez, Creator of the Rajatabla in Caracas. 
New Theatre Quarterly, 2, pp 243-249
Cambridge University Press


Buy This Article (Compra este artículo)   $30.00 / £20.00
Rent This Article Now for 24 Hours: (Alquila este artículo por 24 horas): $5.99 / £3.99 / €4.49


Original source:   Cambridge University Press


Thank you to Cambridge University Press for the permission to post this article. And special thanks to Linda Nicol  (Permissions Manager, Cambridge University Press, University Printing House)

Gracias a  Cambridge University Press por permitirnos publicar esta sinopsis de la entrevista y un agradecimiento especial a Linda Nicol, Permissions Manager de  Cambridge University Press,